NoctisShinsetsu ▬Kage ▪ One katana ▪ Chakra ▪ Stamina ▪ Retsuseirei Chakra:▪ AC: ▪ Ryo: ▬
[ Feel the power of my will ]
Noctis didn't usually wear armor, so he just let his hokage robes fall, which he decided to take with him as a bonus. It left him with a black undershirt that didn't have sleeves and normal, ninja pants. He got into his fighting stance and stood firmly on the ground. He used the bring it on motion with his fingers and waited for her attack. Good thing he was a jack of all trades, he could use everything disposable to him.
[Or be crushed underneath it!]
Posted: Tue Sep 24, 2013 11:38 am
Doku Kaen Konoha's Pale Flame Chakra Pool: 360/360 || Stamina Pool: 160/160
Doku calmly set his spear aside and rose up to a sitting position. He had been relaxing for more than enough time, and now needed to get back to training. Calmly he began to focus his chakra, there were only a few technique he had left to learn before he trained some more elsewhere, and so he readied himself. He formed a single hand seal and focused his chakra intensely for a few moments. As he did this he watched as ten small balls of fire began to appear around him. Slowly they began to circle around him, hovering a few meters off of the ground. Doku looked at them calmly as they continued to circle. The balls were just a tiny bit larger than shuriken, and only continued to circle round and round above them. They moved very slowly, and so Doku figured that a technique like this one would really only ever be of use as a defensive technique, or perhaps a trap. Doku calmly reached down and took some blades of grass that were fairly fresh. Ripping them from the ground he tossed them into the air towards the balls and watched as they instantly disappeared. A few seconds later, the now brown husks cascaded back to earth, signifying that while the balls were small, they were certainly potent.
4/4
Doku prepared himself for the final technique. This one, which he especially liked, could be used for capture instead of harm. Thinking about this he knew that mastery of this technique was going to be especially important. Forming a quick set of hand seals Doku rapidly focused his chakra. Combining his wind and fire natures rapidly he watched as before him several pillars began to arise. The pale fire quickly formed a series of fiery masses that rose rapidly from the ground. After a moment or two, the pillars all began to converge towards one another. Immediately, it was obvious that a sort of prison cell was being formed. The bars began to come into contact with one another, and after a few moments the cell was completed. Looking at it, it was roughly cubic in shape, three meters wide, long and tall. The cell was large enough for perhaps three, but that would be pushing the limit. As Doku neared it, he could feel the intense heat coming from it and knew that anymore than two inside might suffer very serious dehydration. Doku calmly released the technique and looked at the large square of dead grass he had left. Calmly he nodded to himself in approval of the mastery of the technique and turned to leave from the Academy for the dojo. He quickly took hold of his spear as an excited look came over his face, he was definitely ready to begin practicing some bukijutsu.
4/4
(Exit)
((Learned Hijuugan no Jutsu [ Ten Fiery Eyes Technique ] Rank C Kyoujouki no Hitoya [ Extreme Steam Prison ] Rank C ))
Taka didnt settle into a stance. She very rarely did so unless it put her into a specific advantage. Instead she settled into her usual relaxed demeanor. Her lips spread into a soft smile, canine teeth clearly visible and she sway a little back and forth on her center of gravity. Her tail sway behind her, counterbalancing herself as she moved, her body swaying left as her tail went right. She beckoned Noctis forward with a small girlish giggle, mimicing his actions. He of all people knew Taka had her hidden talents. She had entered her Zen state.
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_____❶Title of Technique Used - Description of techniques...
__❷Second Technique - Second Technique Description...
• Inception: The user's genjutsu prowess has increased the sheer power of the genjutsu, making them act a rank higher then they are (up to S rank). This increases the Kai cost for an opponent. • Personal Attribute: Lessons from the Okiya: Gains the kenjutsu style Akira ( Fans ) and proficiency using it equal to a kenjutsu user trained in this style of the same rank. • Personal Attribute: Power of youth: Taijutsu skills are increased. • Gained at Genin: Hunters eyes: Nightvision, perception, and reflexes improved moderately • Gained at Chunin: Power of the pride: Strength increased moderately on all physical manners. • Gained at Jonin: Lions Tail: This trait gives her a long tail, similar to a male lion, long and slender with a tuft on the end. This is highly dexterous and can act as another limb, fully capable of wielding weaponry at an advanced level, up to her training levels. The tail is as strong as her normal limbs, and should in all purposes be considered another arm. • Hummingbird’s Flight: The user, after practicing with many forms of throwing weapons, gains the ability to throw any weapon, regardless of size, with almost perfect accuracy over a very large range. While this does not compensate for any movement on the part of the opponent, the user can now create effective distractions that he/she can use to maneuver the opponent, or can even incapacitate the target. • Drunken Dancing: The first move one will learn in this style, it is nonetheless the most important. Drunken dancing is simply that: moving around, be it stumbling or the Tango, as if you're drunk. It prepares the neophyte, really, and can really add some flair to whatever situation is at hand. This is the most basic move in the arsenal of a Suiken master, but the most important. • Crazy Legs: The user simply focuses on fluidity, movement and simple attack routines. From now on, the user's movement is a bit more graceful and liquid. • Jazz Hands: As with Crazy Legs, Jazz Hands is meant to increase the fluidity and speed of the practitioners hand movements. • Drunken Tango: Just like Crazy Legs and Jazz Hands, this is another passive training technique. This time, the user trains their entire body for the coming techniques. It's all for grace and power. Stamina and reflexes are increased. • Enlightened Drunkenness: Difficult, yet for the Master Drunk, essential. The practitioner of this style is able to, once true drunken enlightenment and zen-like status have been bestowed upon him/her, induce a perpetual drunken or tipsy state by sheer force of will~ • The First Akira: Akira of Speed: The most basic of all stances, movements are simple and often revolve around solid foot movements with watery arm gestures. The user begins with both legs together and their arms to their side. The user must practice simple, yet swift strikes. This stance increases the natural agility of one's body moderately. • The Fourth Akira: The Akira of Coordination: Having understood Elegance, Speed, and Balance, the user moves on to learn the proper coordination behind the use of the fans. In this particular stance, the user assumes a rather simple stance, emphasizing however on the seemingly loose grip. This stance tends to look different from one practitioner to another, the emphasis being upon a greater range of motion for their blades. The user practices in this stance to allow the natural grace wash over them by finding the stance most fitting for themselves. • The Fifth Akira: The Akira of Focus: Having understood the art of speed, balance, elegance and coordination, the shinobi moves on to accuracy. Utilizing their focus, one must find the stance for one's self, much like they did with coordination. The only thing disclosed to practitioners is the movement is minimized in its emphasis, striking at specified locations in powerful strokes. Despite power pressed into each strike, the user practices on taking shots only deep enough to cause nonlethal bleeding. While in this particular stance, the user will let speed suffer, to take on a more predictive method, combined with more sporadic techniques.
Posted: Tue Sep 24, 2013 12:17 pm
NoctisShinsetsu ▬Kage ▪ One katana ▪ Chakra ▪ Stamina ▪ Retsuseirei Chakra:▪ AC: ▪ Ryo: ▬
[ Feel the power of my will ]
Noctis seemed this wouldn't start unless he started off. He closed the distance between them quickly. Though he kept an eye on her and the tail. He could hear it wafting through the air. He would begin with normal forward jab would quickly pull it back in and would drop down for a sweeping kick.
Taka leaned back, on foot coming off the ground as she leaned out of range of the jab. Her other foot came off the ground in a backwards handspring to dodge the sweep entirely, her feet connecting with the back wall. She flexed her knees and sprang forward, a maneuver that was bringing her to Noctis rapidly, as she shot across the room like a rocket. She was aiming to impact his head with her own. Though at this point the girl was intoxicated enough to not really feel it. At the very least this was a surprising maneuver from the girl.
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_____❶Headbutt - A simple, if useful, technique. Can be used at any time, really. The user is most likely under the influence, or this would be pretty painful. Any way, it's a simple headbutt. The kicker is that, while the user is probably under the influence and thus dulled to pain, the victim is most certainly not. Used for disorienting an opponent, but it can kill with enough force. If you somehow include a kunai on your head, you're a mad genius. Using chakra is possible, in lieu of alcoholic numbness
__❷Second Technique - Second Technique Description...
• Inception: The user's genjutsu prowess has increased the sheer power of the genjutsu, making them act a rank higher then they are (up to S rank). This increases the Kai cost for an opponent. • Personal Attribute: Lessons from the Okiya: Gains the kenjutsu style Akira ( Fans ) and proficiency using it equal to a kenjutsu user trained in this style of the same rank. • Personal Attribute: Power of youth: Taijutsu skills are increased. • Gained at Genin: Hunters eyes: Nightvision, perception, and reflexes improved moderately • Gained at Chunin: Power of the pride: Strength increased moderately on all physical manners. • Gained at Jonin: Lions Tail: This trait gives her a long tail, similar to a male lion, long and slender with a tuft on the end. This is highly dexterous and can act as another limb, fully capable of wielding weaponry at an advanced level, up to her training levels. The tail is as strong as her normal limbs, and should in all purposes be considered another arm. • Hummingbird’s Flight: The user, after practicing with many forms of throwing weapons, gains the ability to throw any weapon, regardless of size, with almost perfect accuracy over a very large range. While this does not compensate for any movement on the part of the opponent, the user can now create effective distractions that he/she can use to maneuver the opponent, or can even incapacitate the target. • Drunken Dancing: The first move one will learn in this style, it is nonetheless the most important. Drunken dancing is simply that: moving around, be it stumbling or the Tango, as if you're drunk. It prepares the neophyte, really, and can really add some flair to whatever situation is at hand. This is the most basic move in the arsenal of a Suiken master, but the most important. • Crazy Legs: The user simply focuses on fluidity, movement and simple attack routines. From now on, the user's movement is a bit more graceful and liquid. • Jazz Hands: As with Crazy Legs, Jazz Hands is meant to increase the fluidity and speed of the practitioners hand movements. • Drunken Tango: Just like Crazy Legs and Jazz Hands, this is another passive training technique. This time, the user trains their entire body for the coming techniques. It's all for grace and power. Stamina and reflexes are increased. • Enlightened Drunkenness: Difficult, yet for the Master Drunk, essential. The practitioner of this style is able to, once true drunken enlightenment and zen-like status have been bestowed upon him/her, induce a perpetual drunken or tipsy state by sheer force of will~ • The First Akira: Akira of Speed: The most basic of all stances, movements are simple and often revolve around solid foot movements with watery arm gestures. The user begins with both legs together and their arms to their side. The user must practice simple, yet swift strikes. This stance increases the natural agility of one's body moderately. • The Fourth Akira: The Akira of Coordination: Having understood Elegance, Speed, and Balance, the user moves on to learn the proper coordination behind the use of the fans. In this particular stance, the user assumes a rather simple stance, emphasizing however on the seemingly loose grip. This stance tends to look different from one practitioner to another, the emphasis being upon a greater range of motion for their blades. The user practices in this stance to allow the natural grace wash over them by finding the stance most fitting for themselves. • The Fifth Akira: The Akira of Focus: Having understood the art of speed, balance, elegance and coordination, the shinobi moves on to accuracy. Utilizing their focus, one must find the stance for one's self, much like they did with coordination. The only thing disclosed to practitioners is the movement is minimized in its emphasis, striking at specified locations in powerful strokes. Despite power pressed into each strike, the user practices on taking shots only deep enough to cause nonlethal bleeding. While in this particular stance, the user will let speed suffer, to take on a more predictive method, combined with more sporadic techniques.
Posted: Tue Sep 24, 2013 1:45 pm
NoctisShinsetsu ▬Kage ▪ One katana ▪ Chakra 1150/1170 ▪ Stamina 925/950 ▪ Retsuseirei Chakra:160/160 ▪ AC:50,000 ▪ Ryo:10070 ▬
[ Feel the power of my will ]
Noctis was a little suprised by her sudden attack managed to make a clone appear, using a burst of chakra he was able to get in the path of the headbutt causing her to collide with the clone instead of him. Hopefully she would be somewhat stunned or confused as he jumped at her with a flying forward kick.
Bunshin Taiatari [ Clone Body Blow ] Rank: C — Complex Dainamikku-Entori [ Dynamic Entry ] Rank: E — Physical
Taka flew through the clone with a thud, her technique dispersing the clone into a cloud of smoke, obscuring both of them. The principles of her chosen style was meant to cover the usual patterns of fighting, and hence she slid on her belly, under the kick, before rising gracefully on her hands. She balanced there, taking a sip from her gourd on one arm before setting lightly back down on her feet. She turned toward Noctis and took the stance of a Muay Thai fighter, though wobbling as her gourd hung from her hand on a thin lariat of leather. " Are clones allowed then? "She asked from her stance, wobbling back and forth on her legs lightly.
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_____❶Title of Technique Used - Description of techniques...
__❷Second Technique - Second Technique Description...
• Inception: The user's genjutsu prowess has increased the sheer power of the genjutsu, making them act a rank higher then they are (up to S rank). This increases the Kai cost for an opponent. • Personal Attribute: Lessons from the Okiya: Gains the kenjutsu style Akira ( Fans ) and proficiency using it equal to a kenjutsu user trained in this style of the same rank. • Personal Attribute: Power of youth: Taijutsu skills are increased. • Gained at Genin: Hunters eyes: Nightvision, perception, and reflexes improved moderately • Gained at Chunin: Power of the pride: Strength increased moderately on all physical manners. • Gained at Jonin: Lions Tail: This trait gives her a long tail, similar to a male lion, long and slender with a tuft on the end. This is highly dexterous and can act as another limb, fully capable of wielding weaponry at an advanced level, up to her training levels. The tail is as strong as her normal limbs, and should in all purposes be considered another arm. • Hummingbird’s Flight: The user, after practicing with many forms of throwing weapons, gains the ability to throw any weapon, regardless of size, with almost perfect accuracy over a very large range. While this does not compensate for any movement on the part of the opponent, the user can now create effective distractions that he/she can use to maneuver the opponent, or can even incapacitate the target. • Drunken Dancing: The first move one will learn in this style, it is nonetheless the most important. Drunken dancing is simply that: moving around, be it stumbling or the Tango, as if you're drunk. It prepares the neophyte, really, and can really add some flair to whatever situation is at hand. This is the most basic move in the arsenal of a Suiken master, but the most important. • Crazy Legs: The user simply focuses on fluidity, movement and simple attack routines. From now on, the user's movement is a bit more graceful and liquid. • Jazz Hands: As with Crazy Legs, Jazz Hands is meant to increase the fluidity and speed of the practitioners hand movements. • Drunken Tango: Just like Crazy Legs and Jazz Hands, this is another passive training technique. This time, the user trains their entire body for the coming techniques. It's all for grace and power. Stamina and reflexes are increased. • Enlightened Drunkenness: Difficult, yet for the Master Drunk, essential. The practitioner of this style is able to, once true drunken enlightenment and zen-like status have been bestowed upon him/her, induce a perpetual drunken or tipsy state by sheer force of will~ • The First Akira: Akira of Speed: The most basic of all stances, movements are simple and often revolve around solid foot movements with watery arm gestures. The user begins with both legs together and their arms to their side. The user must practice simple, yet swift strikes. This stance increases the natural agility of one's body moderately. • The Fourth Akira: The Akira of Coordination: Having understood Elegance, Speed, and Balance, the user moves on to learn the proper coordination behind the use of the fans. In this particular stance, the user assumes a rather simple stance, emphasizing however on the seemingly loose grip. This stance tends to look different from one practitioner to another, the emphasis being upon a greater range of motion for their blades. The user practices in this stance to allow the natural grace wash over them by finding the stance most fitting for themselves. • The Fifth Akira: The Akira of Focus: Having understood the art of speed, balance, elegance and coordination, the shinobi moves on to accuracy. Utilizing their focus, one must find the stance for one's self, much like they did with coordination. The only thing disclosed to practitioners is the movement is minimized in its emphasis, striking at specified locations in powerful strokes. Despite power pressed into each strike, the user practices on taking shots only deep enough to cause nonlethal bleeding. While in this particular stance, the user will let speed suffer, to take on a more predictive method, combined with more sporadic techniques.
Posted: Tue Sep 24, 2013 2:07 pm
NoctisShinsetsu ▬Kage ▪ One katana ▪ Chakra 1150/1170 ▪ Stamina 925/950 ▪ Retsuseirei Chakra:160/160 ▪ AC:50,000 ▪ Ryo:10070 ▬
[ Feel the power of my will ]
Noctis cracked his neck and then waited for Taka to be done with her drink."Only if the taijutsu technique needs clone to be executed."He said with a smile as he waited for her to attack.
Taka nodded with a smile, bridging her back to crack it before slinging forward at a rapid pace. Easy to see, easy to follow but never easy to deal with when your involving a suiken user. As she hit the apex of her jump she spread her arms and legs out like she was looking for a hug, her body hardening on the way toward Noctis. " Wheeeeee!" Could be heard as she flew through the air.
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_____❶Belly Slam - The user begins by pumping chakra to the legs and jumping into the air; any height will do. Then, the user focuses that chakra into their entire body and becomes dense, very very dense and heavy. One could call them almost diamond-like. Then they drop, belly-first, onto whatever they want with all the power they can muster. In conjunction with a wind jutsu to propel them forward, this can create medium-sized craters. A deadly, if ridiculous, technique.
__❷Second Technique - Second Technique Description...
• Inception: The user's genjutsu prowess has increased the sheer power of the genjutsu, making them act a rank higher then they are (up to S rank). This increases the Kai cost for an opponent. • Personal Attribute: Lessons from the Okiya: Gains the kenjutsu style Akira ( Fans ) and proficiency using it equal to a kenjutsu user trained in this style of the same rank. • Personal Attribute: Power of youth: Taijutsu skills are increased. • Gained at Genin: Hunters eyes: Nightvision, perception, and reflexes improved moderately • Gained at Chunin: Power of the pride: Strength increased moderately on all physical manners. • Gained at Jonin: Lions Tail: This trait gives her a long tail, similar to a male lion, long and slender with a tuft on the end. This is highly dexterous and can act as another limb, fully capable of wielding weaponry at an advanced level, up to her training levels. The tail is as strong as her normal limbs, and should in all purposes be considered another arm. • Hummingbird’s Flight: The user, after practicing with many forms of throwing weapons, gains the ability to throw any weapon, regardless of size, with almost perfect accuracy over a very large range. While this does not compensate for any movement on the part of the opponent, the user can now create effective distractions that he/she can use to maneuver the opponent, or can even incapacitate the target. • Drunken Dancing: The first move one will learn in this style, it is nonetheless the most important. Drunken dancing is simply that: moving around, be it stumbling or the Tango, as if you're drunk. It prepares the neophyte, really, and can really add some flair to whatever situation is at hand. This is the most basic move in the arsenal of a Suiken master, but the most important. • Crazy Legs: The user simply focuses on fluidity, movement and simple attack routines. From now on, the user's movement is a bit more graceful and liquid. • Jazz Hands: As with Crazy Legs, Jazz Hands is meant to increase the fluidity and speed of the practitioners hand movements. • Drunken Tango: Just like Crazy Legs and Jazz Hands, this is another passive training technique. This time, the user trains their entire body for the coming techniques. It's all for grace and power. Stamina and reflexes are increased. • Enlightened Drunkenness: Difficult, yet for the Master Drunk, essential. The practitioner of this style is able to, once true drunken enlightenment and zen-like status have been bestowed upon him/her, induce a perpetual drunken or tipsy state by sheer force of will~ • The First Akira: Akira of Speed: The most basic of all stances, movements are simple and often revolve around solid foot movements with watery arm gestures. The user begins with both legs together and their arms to their side. The user must practice simple, yet swift strikes. This stance increases the natural agility of one's body moderately. • The Fourth Akira: The Akira of Coordination: Having understood Elegance, Speed, and Balance, the user moves on to learn the proper coordination behind the use of the fans. In this particular stance, the user assumes a rather simple stance, emphasizing however on the seemingly loose grip. This stance tends to look different from one practitioner to another, the emphasis being upon a greater range of motion for their blades. The user practices in this stance to allow the natural grace wash over them by finding the stance most fitting for themselves. • The Fifth Akira: The Akira of Focus: Having understood the art of speed, balance, elegance and coordination, the shinobi moves on to accuracy. Utilizing their focus, one must find the stance for one's self, much like they did with coordination. The only thing disclosed to practitioners is the movement is minimized in its emphasis, striking at specified locations in powerful strokes. Despite power pressed into each strike, the user practices on taking shots only deep enough to cause nonlethal bleeding. While in this particular stance, the user will let speed suffer, to take on a more predictive method, combined with more sporadic techniques.
Posted: Tue Sep 24, 2013 2:39 pm
NoctisShinsetsu ▬Kage ▪ One katana ▪ Chakra 1150/1170 ▪ Stamina 845/950 ▪ Retsuseirei Chakra:160/160 ▪ AC:50,000 ▪ Ryo:10070 ▬
[ Feel the power of my will ]
Noctis formulated his next plan, it seemed she was gonna be using the drunken fist style since she was taking swigs of that alchohol.Noctis just kinda stared at her as she came at him, he knew what he had to do at that point. He waited till she was right up on him and slung his leg around her neck and pushed her towards him using that to maneuver himself out of the way and sending her flying towards the door. He basically used her own momentum against her. But the whole going wee thing was a bit ridiculous.
Saidohandou A rank Description: In the original stance the use will wait till the enemy is right at them, and swiftly sling their leg at the enemies legs bringing the crashing to the ground, but before the enemy can hit the ground the user will bend downward and kick backwards and up toward the enemies head hitting them into the air.
Taka ended up at the other end of the academy, pulling herself out of scrolls, and shaking a bit of debris and dust from her hair. She stood up, and settled herself back into her stance, no longer wobbling and a little scratched up but otherwise fine. She spoke again" Seems like your serious...Very well, round two... Come on then! "She said, drawing several shuriken and flinging them across the room, closing in on noctis fast, directly behind them. The shuriken would be after nerve clusters on his body, specifically the arms and meaning to slow them down a little. They were thrown with utmost precision.
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_____❶Check spoiler for passives - Description of techniques...
__❷Second Technique - Second Technique Description...
• Inception: The user's genjutsu prowess has increased the sheer power of the genjutsu, making them act a rank higher then they are (up to S rank). This increases the Kai cost for an opponent. • Personal Attribute: Lessons from the Okiya: Gains the kenjutsu style Akira ( Fans ) and proficiency using it equal to a kenjutsu user trained in this style of the same rank. • Personal Attribute: Power of youth: Taijutsu skills are increased. • Gained at Genin: Hunters eyes: Nightvision, perception, and reflexes improved moderately • Gained at Chunin: Power of the pride: Strength increased moderately on all physical manners. • Gained at Jonin: Lions Tail: This trait gives her a long tail, similar to a male lion, long and slender with a tuft on the end. This is highly dexterous and can act as another limb, fully capable of wielding weaponry at an advanced level, up to her training levels. The tail is as strong as her normal limbs, and should in all purposes be considered another arm. • Hummingbird’s Flight: The user, after practicing with many forms of throwing weapons, gains the ability to throw any weapon, regardless of size, with almost perfect accuracy over a very large range. While this does not compensate for any movement on the part of the opponent, the user can now create effective distractions that he/she can use to maneuver the opponent, or can even incapacitate the target. • Drunken Dancing: The first move one will learn in this style, it is nonetheless the most important. Drunken dancing is simply that: moving around, be it stumbling or the Tango, as if you're drunk. It prepares the neophyte, really, and can really add some flair to whatever situation is at hand. This is the most basic move in the arsenal of a Suiken master, but the most important. • Crazy Legs: The user simply focuses on fluidity, movement and simple attack routines. From now on, the user's movement is a bit more graceful and liquid. • Jazz Hands: As with Crazy Legs, Jazz Hands is meant to increase the fluidity and speed of the practitioners hand movements. • Drunken Tango: Just like Crazy Legs and Jazz Hands, this is another passive training technique. This time, the user trains their entire body for the coming techniques. It's all for grace and power. Stamina and reflexes are increased. • Enlightened Drunkenness: Difficult, yet for the Master Drunk, essential. The practitioner of this style is able to, once true drunken enlightenment and zen-like status have been bestowed upon him/her, induce a perpetual drunken or tipsy state by sheer force of will~ • The First Akira: Akira of Speed: The most basic of all stances, movements are simple and often revolve around solid foot movements with watery arm gestures. The user begins with both legs together and their arms to their side. The user must practice simple, yet swift strikes. This stance increases the natural agility of one's body moderately. • The Fourth Akira: The Akira of Coordination: Having understood Elegance, Speed, and Balance, the user moves on to learn the proper coordination behind the use of the fans. In this particular stance, the user assumes a rather simple stance, emphasizing however on the seemingly loose grip. This stance tends to look different from one practitioner to another, the emphasis being upon a greater range of motion for their blades. The user practices in this stance to allow the natural grace wash over them by finding the stance most fitting for themselves. • The Fifth Akira: The Akira of Focus: Having understood the art of speed, balance, elegance and coordination, the shinobi moves on to accuracy. Utilizing their focus, one must find the stance for one's self, much like they did with coordination. The only thing disclosed to practitioners is the movement is minimized in its emphasis, striking at specified locations in powerful strokes. Despite power pressed into each strike, the user practices on taking shots only deep enough to cause nonlethal bleeding. While in this particular stance, the user will let speed suffer, to take on a more predictive method, combined with more sporadic techniques.
Posted: Tue Sep 24, 2013 2:51 pm
NoctisShinsetsu ▬Kage ▪ One katana ▪ Chakra 1150/1170 ▪ Stamina 845/950 ▪ Retsuseirei Chakra:160/160 ▪ AC:50,000 ▪ Ryo:10070 ▬
[ Feel the power of my will ]
Noctis watched her crash into the scrolls, at this point he could have ended her while she was getting out. But he knew he had one that round, whenever someone was knocked to the ground it would be the end of the spar for them. Of course if she wanted all the info, she would have to keep on fighting."Very well, Round 2! Start!" He brought his hands up to his face like a boxer. When she came close enough with the shuriken trailing in front of her he released a simple punch out to seemingly nothing but a swirl of wind would be unleashed, either deflecting or sending the kunai back at her. Plus the bonus of the actual swirl of wind cutting her up as well.
Noctis 1 Spar Win
○ Rosutoai E rank Description: Focusing chakra into just the knuckles of their back fist the user will lean there shoulder into the punch and thrust their fist outward, at the moment of contact, or supposed contact the user will release the chakra resulting in a swirl of wind that even if it doesn't hit it will cut the enemy.
Taka had just thrown the shuriken to make him deal with them. She ducked under the deflected shuriken and pushed noctis's fist to the side, her other hand coming up under his chin in a swift counter, her hand and cheek getting a few small cuts from the low ranking wind punch. Her tail meanwhile wrapped around noctis's leg and latched on tightly as she settled into close quarters with him. Her tail would give a yank to send him off balance and possibly ruin his footing for him in this close range.
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_____❶Sweeping Strike - The user steps in to an attack, gently redirecting it with their forward hand or with a weapon in the same hand. After the strike has been deflected, the user thrusts his/her palm upward in to the opponent’s jaw, causing dizziness and disorientation in the opponent. The second attack must be unarmed.
__❷Second Technique - Second Technique Description...
• Inception: The user's genjutsu prowess has increased the sheer power of the genjutsu, making them act a rank higher then they are (up to S rank). This increases the Kai cost for an opponent. • Personal Attribute: Lessons from the Okiya: Gains the kenjutsu style Akira ( Fans ) and proficiency using it equal to a kenjutsu user trained in this style of the same rank. • Personal Attribute: Power of youth: Taijutsu skills are increased. • Gained at Genin: Hunters eyes: Nightvision, perception, and reflexes improved moderately • Gained at Chunin: Power of the pride: Strength increased moderately on all physical manners. • Gained at Jonin: Lions Tail: This trait gives her a long tail, similar to a male lion, long and slender with a tuft on the end. This is highly dexterous and can act as another limb, fully capable of wielding weaponry at an advanced level, up to her training levels. The tail is as strong as her normal limbs, and should in all purposes be considered another arm. • Hummingbird’s Flight: The user, after practicing with many forms of throwing weapons, gains the ability to throw any weapon, regardless of size, with almost perfect accuracy over a very large range. While this does not compensate for any movement on the part of the opponent, the user can now create effective distractions that he/she can use to maneuver the opponent, or can even incapacitate the target. • Drunken Dancing: The first move one will learn in this style, it is nonetheless the most important. Drunken dancing is simply that: moving around, be it stumbling or the Tango, as if you're drunk. It prepares the neophyte, really, and can really add some flair to whatever situation is at hand. This is the most basic move in the arsenal of a Suiken master, but the most important. • Crazy Legs: The user simply focuses on fluidity, movement and simple attack routines. From now on, the user's movement is a bit more graceful and liquid. • Jazz Hands: As with Crazy Legs, Jazz Hands is meant to increase the fluidity and speed of the practitioners hand movements. • Drunken Tango: Just like Crazy Legs and Jazz Hands, this is another passive training technique. This time, the user trains their entire body for the coming techniques. It's all for grace and power. Stamina and reflexes are increased. • Enlightened Drunkenness: Difficult, yet for the Master Drunk, essential. The practitioner of this style is able to, once true drunken enlightenment and zen-like status have been bestowed upon him/her, induce a perpetual drunken or tipsy state by sheer force of will~ • The First Akira: Akira of Speed: The most basic of all stances, movements are simple and often revolve around solid foot movements with watery arm gestures. The user begins with both legs together and their arms to their side. The user must practice simple, yet swift strikes. This stance increases the natural agility of one's body moderately. • The Fourth Akira: The Akira of Coordination: Having understood Elegance, Speed, and Balance, the user moves on to learn the proper coordination behind the use of the fans. In this particular stance, the user assumes a rather simple stance, emphasizing however on the seemingly loose grip. This stance tends to look different from one practitioner to another, the emphasis being upon a greater range of motion for their blades. The user practices in this stance to allow the natural grace wash over them by finding the stance most fitting for themselves. • The Fifth Akira: The Akira of Focus: Having understood the art of speed, balance, elegance and coordination, the shinobi moves on to accuracy. Utilizing their focus, one must find the stance for one's self, much like they did with coordination. The only thing disclosed to practitioners is the movement is minimized in its emphasis, striking at specified locations in powerful strokes. Despite power pressed into each strike, the user practices on taking shots only deep enough to cause nonlethal bleeding. While in this particular stance, the user will let speed suffer, to take on a more predictive method, combined with more sporadic techniques.
Posted: Tue Sep 24, 2013 4:21 pm
NoctisShinsetsu ▬Kage ▪ One katana ▪ Chakra 1150/1170 ▪ Stamina 825/950 ▪ Retsuseirei Chakra:160/160 ▪ AC:50,000 ▪ Ryo:10070 ▬
[ Feel the power of my will ]
Noctis watched how she dodged the shuriken, but was still struck by his wind fist technique. She came up under him and pushed his fist aside. She managed to strike him in the jaw but he grabbed her arm in his disorientation. She would also find it hard for her to knock him off balance when he was on the ground. He pulled his hand back and unleashed a palm strike towards her to get her away from him.
Noctis 1 Spar Win
Shou-Geki-Shou [ Rising Impact Palm ] Rank: C — Physical Description: A Taijutsu technique where the ninja lifts up their opponent with one arm, retracts, and then drives their palm upward into their opponent, hurling them into the air. With impressive strength, this technique could be quite devastating.
○ Solid Footing Simple :: C-Rank-passive When on the ground the user becomes incredibly difficult to throw off of his or her footing, in or out of stance.
Taka met his attack, sliding along the side of his palm strike and catching his forearm in her hand. Her left knee came up towards the kages groin while her tail let go of his left and whipped up towards a section of his forearm intent on breaking the bone or making him let go of her. Either way, she would be set up for a clean hit on her next strike. Though she seemed to remember the hospital recently being destroyed so she hoped he could set a break properly.
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_____❶Cross Split - A two-part attack that ends in the snapping of an opponent’s bone, causing great pain and the loss of usage of the limb until it is healed by a medic. In the first part of the movement, the user blocks an incoming attack and grabs on to the limb. In the second part, the user brings in a strike from the opposite direction and strikes further down along the bone. The force snaps the bone at that particular point. If performed with weaponry, this technique can be used to break an opponent’s weapon or to disarm him/her.
__❷Fallen Drunk - The fallen drunk is ground-fighting, simply put. It's ground-fighting for the drunken master, however. The user practices fighting while knocked down, whether they're on all fours or flat on the back, if they aren't standing up then they're on the ground. The user will practice basic spastic strikes, a common staple of the style, in an attempt to keep the opponent from gaining an edge. There's no move that's off-limits. Throwing sand, biting, gouging, groin kicks, anything goes. (For the groin kick. Not actually being used on the ground.)
