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Posted: Fri Jun 29, 2007 10:04 pm
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Posted: Sun Jul 01, 2007 1:32 am
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oO Starling Oo Vice Captain
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Posted: Sun Jul 01, 2007 7:23 am
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Posted: Sun Jul 01, 2007 10:47 pm
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Posted: Thu Jul 05, 2007 11:54 pm
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Posted: Mon Jul 23, 2007 7:55 pm
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Posted: Tue Aug 07, 2007 5:32 am
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To succeed in art is to succeed in marketing: since art is subjective and inturpretable, the laws of who thrives in art are the same as who thrives in fashion. Make yourself wanted by some, and then by some more, and then by someone important--also all very subjective. And then you will be wanted by lots and lots of people.
For example, my partner showed at the LA center for digital art. Because he showed at the LA center for digital art, someone else wanted to show him. That show was extended by popular demand because he was popular (see where this is going?). Another gallery director was at that show and because he showed at that (small) gallery, he's going to show at this director's bigger gallery in a few months.
The problem here is like with a lot of industries, you can't get work without having experience, and you can't get experience without getting work. How to get around it? Specialize. One of my photos was recently published on the cover of a magazine. Which one? Don't worry. You haven't heard of it. But the fact remains that I was published on the cover, and tearsheets are a good place to start. So how do you get that cover shot? Take pictures of things other people aren't taking pictures of. I took a spectacularly good picture of a club event, and that club published the result. Does it make me an international sensation? No. But thousands of people in California and Nevada (and maybe some other places too) saw my work on the cover of their monthy newsletter.
Another way of getting tearsheets is by covering community events and sending your photos (with a brief but detailed typewritten AND SPELLCHECKED description of the event) to your local paper (or dropping them off if you can--that way the story is "fresher" and you're more likely to get it published). That way you can say your work has been featured in whatever newspaper that is. If it's a county newspaper just say "A [your state here] news publication"--it sounds better.
I know what you may be thinking "I don't want to go into press photography!" Doesn't matter. You have to start somewhere. The press is one place that will take your work after you've created it, rather than tell you to create it. They don't see what you've done until you bring it to them, so they aren't banking on you. That means that before you can get a job, you can fill in some lines in that resume.
Note that these little press appearances aren't paid--not until you actually get a job with the paper. But the appearance of publication on a resume or list of experience will help you get paid jobs.
Another thing I've learned is that you shouldn't be modest with potential clients. I was perhaps a little too shy in singing my own praises before a recent gig and as a result I was treated as an amateur. My clients had absolutely no faith that I could do my job--so they hired someone else to do it "with" me. I ended up doing almost nothing, making the project a waste of time and increadibly insulting. I realized that it's my fault though--the client knew I was looking to build my portraiture portfolio but had no way of knowing I was experienced and sucessful in other realms of photography.
And now I've just realized this is the dA guild, not the photography guild.
Well, I guess a lot of that advice could translate, and some of it can't. Um... good luck though.
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Posted: Sat Sep 01, 2007 1:58 pm
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Posted: Fri Sep 07, 2007 3:44 am
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Posted: Sat Sep 08, 2007 11:07 am
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Posted: Tue Oct 02, 2007 11:17 am
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The thing about having a degree in art is that it is pretty much useless unless you want to teach. I'm not saying anything is wrong in majoring in art, but you really have to sit down and consider things. When I was enrolled in college, I was majoring in graphic design. Where I live, there are a few graphic design firms but you must have a degree and experience before they'll even consider hiring you. When you're like me, and having to take out loans, you have to consider if being an art major will actually pay off your college. A lot of people dream of being comic artists and being able to incorporate what they love into making money, but I'm going to say this flatly.
Your art has to seriously be very detailed and almost to the point of perfection to be mainstream. So if you're considering being a comic artist you have to get a degree in illustration, and you must be able to write, and do storyboards. Its just a very complicated prospect.
I decided to change my major to something I know I could do and that I know I would always be able to find a job with but still incorporates what I love doing. Even then, it doesn't mean I can't get a job and go to graduate school and get a degree in animation like I'd like to do.
If you want to sell your artwork, try considering a degree in business and marketing. That way, you could open up your own gallery and manage it and still do the art that you love.
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Posted: Fri Dec 14, 2007 12:12 pm
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Posted: Mon Jan 21, 2008 7:27 pm
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Posted: Fri Jan 25, 2008 9:41 am
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